The artwork “Abbraccio Divino” becomes part of the permanent collection at MuDOP, blending sacred vision with contemporary sensibility
A breath of spirituality on canvas
In the sacred lands of Calabria, the MuDOP – Diocesan Museum of Oppido Mamertina-Palmi – prepares to unveil a work destined to leave a lasting impression. On June 7, 2025, the museum will officially present to the public the Madonna and Child by Carmelo Fabio D’Antoni, titled “Divine Embrace.” More than a painting, it is a gesture of light, a visual prayer that unites tradition with modern spiritual sensitivity.
The beauty that saves: D’Antoni’s message
“Divine Embrace was born from an inner necessity,” says the artist. A need to make visible what our era often forgets: saving beauty, protective love, and guiding spirituality. In this work, Mary is not just an icon, but a real mother embracing our fragility. The Child, redeemer and hope, carries on his face a serene promise of resurrection.
Between medieval icon and modern sensibility
The painting becomes a bridge between eras. D’Antoni blends Byzantine iconography with the emotional warmth of a modern “stilnovista” style, coloring sacred forms with intimate fervor. His strokes are delicate, precise, filigreed with affection. Every line and gaze forms a geometry of love. God becomes a caress. Spirituality becomes human.
A gift to the land and its faith
“I leave this Madonna as one leaves a fragment of their heart in a temple,” says D’Antoni with moving humility. The MuDOP, long guardian of the South’s iconic and spiritual heritage, welcomes the painting not as a mere addition but as a continuation, a voice that integrates and responds. In a land where images are spiritual sustenance, “Divine Embrace” is not just art: it is testimony, memory, and invocation.
The painter of Dolce Stil Novo
Born in Catania, Carmelo Fabio D’Antoni is the founder of a pictorial movement that blends Pre-Raphaelite inspiration, literary poetics, and feminine sublimation. His works glorify womanhood as a spiritual force, transforming subjects into sacred, mythological heroines.
Since 2017, he has created pieces inspired by Dante’s Divine Comedy, forging a unique visual philosophy based on the ideals of Stil Novo. His brush elevates femininity into a mystical and artistic cornerstone, crafting modern Madonnas, warriors, and muses. He has exhibited widely in Rome, Berlin, Chicago, Vienna, Brussels, Sofia, and many more.
A poetic act of resistance
In a world saturated with meaningless images, D’Antoni’s work becomes a poetic act of resistance. “Those who paint light become intermediaries. They become prayer.” “Divine Embrace” is an invitation to stop, feel, contemplate. It doesn’t merely decorate; it transforms and consoles. In placing it in MuDOP, the artist offers not just a painting, but a promise of eternity—a reminder that true art is an act of love, and love always seeks a home.
FAQ
Who is Carmelo Fabio D’Antoni?
He is a Sicilian artist blending sacred art, Pre-Raphaelite style, and the literary spirit of the Dolce Stil Novo.
What is “Divine Embrace”?
A contemporary Madonna and Child painting, newly added to MuDOP’s permanent collection.
When will the work be presented?
On June 7, 2025, during an international group exhibition at MuDOP.
What does the painting represent?
A maternal gesture of protection and hope—an image of salvation and spiritual tenderness.
What is MuDOP?
The Diocesan Museum of Oppido Mamertina-Palmi, preserving the sacred art of Southern Italy.
What style does D’Antoni use?
A unique blend of medieval iconography and modern emotional expressiveness, often referred to as “visual Stil Novo.”
Why is the female figure so central in his work?
He exalts women as divine, redemptive forces—spiritual heroines and eternal muses.
Where has he exhibited?
In leading cities across Europe and the U.S., including Berlin, Rome, Los Angeles, and Vienna.
What is the message of “Divine Embrace”?
That true art is born of love, and this love is a sacred offering that consoles and elevates.
How does his work relate to Dante’s thought?
Through the philosophy of Stil Novo, D’Antoni transforms literary ideals into sacred, visual expressions.
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